Small Paintings to Sell

Along with the four larger images I made sixteen A5 oil paintings.


Pictures for Exhibition in Paper Gallery

lobsterThe theme for the group exhibition was 1.2.3.4 which we could interpret how we wanted. For my images I wanted to make one image with one object, one with two and so on. My first image is of a lobster (which I actually had to buy) frozen in ice. I wanted to show the transparency distortion caused by the ice and its contrast with the emerging lobster. I wanted to use classical still life objects but combine them with more modern elements; in this case the rubber band and the ice, in the others it tends to be plastic packaging.
latticeTwo fruit lattices in a paper bag with a plastic strip. I quite like the rendering of the different textures in this painting, during the painting the object was throw away by the cleaner so I had to buy another one. This means that the plastic panel is not as accurate and has been made up a bit. plumThis is three plums in a plastic bag, it was quite enjoyable painting this as the plastic provided a challenge. The  trouble was that the plums ripened during the process of the painting and thus changed colour, they were probably a nicer colour at the end but it was a bit late as I had already done the highlights.fishThe last is four fillets of peppered mackerel in a vacuum sealed pack. This was the hardest of the four to paint as it as all the details were tiny even when blown up to this scale (A2). I was also concerned that some people didn’t realise that the actual object was vacuum packed, maybe this effect was too subtle for real life. This one does seem a little bit flat in some areas.


Ukraine – living in a war zone

waterReturning to a more classical still life setup I’ve used the water bottles which are used by the people surviving in the areas without power. The bottles aren’t perfect, I’m going to blame that on working from a very small and poorly lit photo. peachAgain using a classical still life setup Ive chosen three items from what was a cluttered kitchen. The objects speak of survival rationing and aide. I quite like the idea of this image but I would have preferred the objects to be more definite. They look a bit Cézanne-esque with the imperfect ellipses which isn’t really the style I was going for. I think the surroundings would benefit from a reduction or increase in detail as they seem a washy and flat.


Observational Work

foilFollowing on from The King in Yellow, I wanted to do some work from firsthand observation. The foil apple proved to be quite challenging as i hoped it would, the amount of tiny highlights were quite tricky. I included the brown section as in my studio the mdf walls were picked up in the reflection which I needed to include, the top section gives a reason for the brown on the foil.paperThe piece of screwed up paper provided the problem of the very sooth with subtle shadows and highlights. I don’t think the smoothness has been translated very well as in parts it looks more like tissue paper. I do like the composition of this almost abstract shape and on the black background it looks pretty clean.penThe Biro’s straight lines of highlights were the main challenge on this piece as they are fundamental to making the painting look realistic. The text was also a hassle especially at this size (A4), I used a scalpel to scrape the paint away to give cleaner edges than what the brush laid down.


The King in Yellow- The Mask

tkiy-maskThis story is about a marble sculptor who invents a liquid that turn anything to marble. In the story he uses it on a gold fish and a flower before using it on people. These two objects take on the symbolism of the two characters. The picture is set on the sculptors desk with hints at cloth, tools and rubble. The challenge was making it look like the objects were made of marble without being able to use the obvious colour change. So the only real method was to make them look stiff and shiny. I quite like the triangular composition of this image, it feels more like a classical still life.


The Shining

shining sHaving a bit of a creative block, I decided to set myself a one day project. This meant I had no time to do any research or get images for reference. I made an illustration for the The Shining, although not having read the book, I was mainly going off the film, which I hadn’t seen for a while. Using the scene win the bar in which he encounters the ghostly residents. I have made the image quite dark to match the horror tone and it is also a bar at night so it seems appropriate. The painting feels a little bit crude, this is probably down to me not pairing from anything. I do quite like the effect of the ice cubes but I’m not sure how true to life it is.


A Clockwork Orange – Chapter 3

bulbIn the first part of chapter 3 Alex is released back into the world, the first place he goes is to a café. The place is rather dirty and he points out the grubby light bulb. This seemed like a nice image as it shows something that should be light and shiny but it is actually grubby. The wire is a bit wonky but this isn’t too bad as cables of this sort can be quite stiff.milkFollowing that Alex goes to his milk bar, but having gone through his conditioning it doesn’t go down to well. The bar has a red cow wallpaper which I have used to give an intimidating feel, the cow heads also give surreal element. I think this goes well with his bad drug experience. The painting in this is a bit unfinished, it doesn’t matter too much as they aren’t actual cows, they are just wallpaper. I quite like the contrast between the black and red with the white milk.helmetFollowing a fight in library with the old man he assaulted in the opening section he is taken away by the police. The police men are his former associates who he wronged, they take him to the countryside where they beat him, before doing so they take off their hats and jackets. We see their garments as out of the frame of the picture the violence takes place. The setting sun gives a sense of atmosphere but I’m not sure its painted that convincingly. Actually I’m not sure if any of the elements are that well painted, they don’t really go that well together.

tapAlex then staggers to the nearest house which turns out to be the house of the writer whose wife he raped. At this point it seems Alex has reached somewhere safe but danger is just round the corner. We are given a rather relaxing view of the bath but I think the colours I’ve used give some sense of unease or at least don’t make it look to luxurious. I mad the taps up so they don’t look too convincing but i do quite like the tiles.
leafletAfter discovering Alex’s identity, he is locked in a room and tortured with the music he once loved. While there he sees a leaflet on a table which says what the painting above says. Intended as a message of self improvement, Alex takes it literally and jumps out the window to escape his torturous captivity. Trying To paint the lettering was a bit of a pain and it made it hard to get a consistent surrounding colour. Getting the paper to look slightly three dimensional and real wasn’t too easy, I probably should have got a piece of paper and given it a bit of wear to use as reference. 
castThe jumping out the window leads to Alex ending up in hospital, covered in bandages, casts and splints. I have just shown the hand to keep the image simpler, it also has the splints from the fingers which look a bit dystopian. Originally the strap was more brown but I darkened it a lot so it looked more industrial and a bit cleaner. Again here I have had to resort to showing the character, but I have kept it a minimum so as not to ruin the image of the main character the reader has built up over the course of the novel. The metal bar is a bit wobbly and the fingers are a bit indistinct but I think the composition is quite nice.teaIn the last section Alex has been cured of his conditioning and is no longer made to feel sick at the thought of violence. But having gone through it all he comes to realise that he doesn’t want his old life back. He goes to a nice café and has a cup of tea, while there he meets his old friend George who has moved on to a normal life. The image is gentle and calm to fit with the happy ending of the story. I would have preferred to have had flatter colours so that it looked cleaner.

Of the 21 images I have done for A Clockwork Orange not all of them have been successful, I think I shall edit them down to a more selective group. I should probably also do a cover for book to complete the set.


A Clockwork Orange – Chapter 2

matchboxIn this image we are introduced to Alex’s time in prison, the making of matchboxes being part of tasks that he is forced to endure. The stack of matchboxes look rather imposing drawn from this perspective, this gives the feel of Alex being overwhelmed by the situation. My favourite part of this picture is the colour palette as they all seem to work together. I would have liked the colours to have been flatter and the edges to have cleaner. I’m not sure if it is immediately clear that the picture is of matchboxes as they don’t have any design on it, but I quite like the almost abstract nature and I think with text it would become clear.cupNext we are in Alex’s shared cell at night, lit by a small red light. The tin mug is one of the only objects mentioned in the section and is also the weapon by which the new addition to the cell is murdered. I think the colour of this image works well to create a feeling of danger, violence and threat. I found painting the mug quite enjoyable, trying to make the reflection seem realistic. The simple colour scheme also let me concentrate more on the painting and composition. dressing gownIn this section we are first taken to the establishment where Alex is subjected to conditioning. Trying to show the new clinical area he has entered I have made the palette quite light and clean. I don’t like this image as it doesn’t seem to do anything, the dressing gown and slippers don’t really look like anything. All perspective is gone and there doesn’t seem to be an overall composition. The light and cabinet don’t also seem to be in proportion to the green clothing.chairIn this section we are shown the place where Alex undergoes his extreme reformation. The scene is described in quite a lot of detail so the details to include were fairly obvious, but I didn’t want it to look too similar to the film as this scene has become quite iconic. I’m quite pleased with this illustration, its triangular composition leads the eye nicely and the palette is nice and simple. I would have preferred the headpiece and the wires to be more detailed and the dials to be more defined. I think this cold and industrial image fits in very well with the theme of the novel.bars.In this next section Alex sees the bars on the window, realising that his current situation is no better than prison. The darkness helps to create a sense of doom as does the image of prison bars. The image is a little simple and maybe the composition could have been changed up a little.wiresHere we are once again shown the chair, there was very little else mentioned in this section. I have shown it from a different angle so that it is not the same as the previous chair image. We are also shown a partial view of the screen, which as on it horrific images which are described at length in this section. To have shown the horrific image would have ruined the effect as they wouldn’t have looked as borrowing as the images the words conjure in your mind. I’m not particularly keen on the fact that this image contains a person but I have shown as little as possible.lightIn this scene Alex is paraded on stage to show the effectiveness of the treatment, being confronted with a violent men and a sensual lady, both of which cause him to feel physically sick. The image is of the stage light shining into his face and puts you in the place of Alex as he is being watched. I’m not a fan of how it is slightly off centre and also the blue colour doesn’t seem right.


Collaborating With The Mushin Gallery

After a few weeks correspondence with the Mushin Museum, part of Cardiff University I went for a visit. I was shown around the collection and told about the the history and purpose of the artefacts. Museum is a collection anaesthesia related equipment and varies in its age. I then picked out a few pieces which I found to be interesting for me to take away from the museum and work with.mushin 2Using the the objects as subjects I carried out a number of close studies. They were technically quite challenging to paint and draw, which while at times was frustrating was mostly enjoyable. The combination of ellipses at different angles was very tricky as doing these wrong throws off the perspective greatly. creating the correct lengths and distances was also troublesome (although this is the basis of most drawing) but in this case elements of symmetry and tubes joining different sections made miscalculations become more and more out of control. The colour palette of the images on the whole is fairly monochrome and muted, but in certain ares there are small bursts of colour which work well in livening up the image. They also make it clear that the objects are of a grey tone and I haven’t just painted them in black and white.mushin 1Another common hurdle was the reflections, these would change throughout the day as well as when I moved or anyone around me. In the polished metal objects at times I was presented with elements of my own reflection, I did consider adding this, like old dutch still lives which include subtle self portraits. However I decided against it as it would have been very difficult to do in such a small space and I also wanted to keep a certain distance from the subject so as to present them in a more clinical way. For some of the finer details I took to scraping away paint with a scalpel blade, this allowed me to do lines much finer than my brushes allowed and meant i could create fine textures like ridges and the weave of fabric.mushin 3Painting these objects in this way while it is very matter of fact and representational, there is also an emotive element that they give. The darkness of the images is inviting, drawing in the viewer, the objects don’t necessarily stand out all that much from the black due to their dark colour or transparency. They are displayed very coldly and bluntly which gives a brutal yet creepy atmosphere. mushin 6Starting with these objects as studies means that there is little context to this work other than a straight representation of the objects. To add some context to the work I plan on pairing the images with text, either short stories or poems. Hopefully when the two are paired they will enhance or give new meaning to each other. mushin 5Doing this work has raised the question; why not just take a photo? My work while representational is not photorealistic, it is clearly painted and thus has a different feel to photograph. The act of painting has taken a lot more time and more effort invested, this is felt by the audience and causes them to be more interested. The time taken gives more importance to the image as you think that there must be some reason for this to be painted.mushin 4The time I took to do these each of these images was nit as long as I would have liked. I needed to churn them out for a small display which was to be held. They each took 1-2 days so with more time I think they could have come more refined, but this time limit did cause me to stop working on paintings relier than I normally would which is probably a good thing as I can over work things sometimes.

http://www.mushinmuseum.org.uk


A Clockwork Orange – Chapter 1

I decided that I would like to illustrate Anthony Burgess’ novella A Clockwork Orange, due to its theme and its length. It was a length that I could read it all in a relatively short space of time and its structure of three chapters each split into seven sections, seemed to allow for a nice amount of illustrations. I chose to do one a4 image for each section, trying to remove humans as much as possible, keeping them to just still lives.booksThis image is for the opening section in which Alex indulges in ultraviolence. The image shows the mess left behind by the gang after their encounter with a man carrying books. On the floor are the multiple items they destroy; coins, books, dentures, an umbrella, a pen and a sleeve. The image is in a yellowy glow as if under a streetlight but I’m not sure if this comes across too strongly. I quite like the angular composition of the image but I think the painting lets it down a bit. The objects don’t feel particularly solid and he pages look chunky. I think some elements aren’t immediately recognisable but hopefully being presented alongside the text would help to make clear what is being shown. Ive aimed to show the still moments around the more active and violent events of the story.

typewriterThe second section of the story sees Alex and his droogs visit a man and his wife in the countryside for an aggressive home invasion. While there they smash up his typewriter, steal his food, dash his papers around the room and rape his wife. The smashed type writer is the focal point of the image and adds a darkness and a more dynamic shape. Its mechanical nature is also in keeping with the theme of the book and its title. The flask of the chicken leg and the red of the plum cake add a more raw and animalistic feel which adds to the mood of the scene. I enjoy the creating the feeling that you are looking at this moment of uneasy stillness while behind you or just out of frame is something horrific.hi-fiAfter his night of violence Alex returns home and sits on his bed and listens to his classical music as he goes to sleep and dreams of further violent acts with glee. Here I have presented his music system with one of his school banners which adorns his wall. A problem with this was the point of technology, published in 1962, music would have been on records, the film made in 1971 the same. He also mentions a sleeve, but by close reading you can find that the book is set in a dystopian 1995 roughly. For this reason I have updated the hi-fi so that it fits more into a 90s era room, while retaining his records. I was advised by one of my tutors to use less brown so I changed the speaker from wood to a grey, this gives a more industrial feel and ties in closer with other images in the collection. The record on the floor was added to give some sense of space and perspective and I think works well to break up the image from being overly blocky. I think I could have invoked more of the feeling of the music but I think that the stillness and quietness allow the reader to inflect their own thoughts through the music.bedI’m not particularly keen on this image, shapes are indefinite, the colours are unpleasant and the writing on the record is lazy. This illustration takes place slightly after Alex has had intoxicated sex with two very young girls. The glasses and clothes litter the floor, but I think they could have looked a lot more interesting. The colours are quite light and happy this is to reflect more the mood of Alex rather than of an outside onlooker, as Alex sees no harm in what he is doing and goes about it blissfully. Beethoven’s face stares out from the record with a frown of disapproval, the emotions tied up with the booming music of Beethoven are then projected onto the image. I think the image should have been more messy perhaps to give more of a sense of something bad having happened.industryThe fifth part was fairly empty in terms of things for me to illustrate. mentioned though is the mural which is described in more detail earlier in the book. This is a mural of of men and women working hard at the wheel of industry in the nude, which has been crudely vandalised by the teenagers of the area. The angle of the image seems to give more importance to the figures as well as giving a greater sense of scale, which makes it even more undercut by the graffiti. I think that the bodies look pretty distorted, i.e. the leg on the right is very long. the faces while i didn’t want them overly distinct look probably too vague. The words used are in Nadsat, the language used by Alex, most are cut off so as not to distract from the main body of the text. The central speech bubble is translated as ‘grab my breasts’ which I felt was juvenile and and translated nicely into the limited vocabulary of Nadsat. The missing top corner places this as a painting of a painting showing a small part of where its situated, as does the little bit of reflection at the top of the painting but that is not entirely recognisable as not part of the painting.beet In this section Alex breaks into the house of a spinster to and murders her accidentally. Her house is old and filled with antique ornaments including a Beethoven bust and a ballerina statue (which is used as the murder weapon). I find the composition here to be a little dull and the painting to be rather patchy. The ballerina statue is not the right shape and doesn’t look metallic. Again we have Beethoven, this time more centrally as though staring angrily directly at Alex as he does the terrible act. mirror

In the final part of the first chapter Alex is taken to the police station, here he is presented with a mirror to clean up his injured face. I like the idea of this picture with the angled mirror so it is from the view of the character but you are unable to see his reflection. The washed out colours add to the clinical feel of this cell. My main problem with the image is that the shapes are off, the bases off centre and the part that holds the mirror is unsymmetrical. While this may look as though it is an old police mirror thats been damaged over time I would have preferred it to look more sleek and perfect. The palette of the picture also feels a little random and they don’t really go together, I think a more monochrome version would be better.


Molly Bloom’s Soliloquy

The final Chapter of James Joyce’s ‘Ulysses’ is Molly Blooms soliloquy, an almost unpunctuated stream of consciousness. As she lies in bed she thinks of her life and what is going on in then back to her first sexual experience with her husband. For this I chose to paint the bed as it is a constant setting for the story and it also coincides nicely with the sexual nature of the story.bloomThe image is probably too light for what is set at night as she goes to sleep, but by lightening it it makes it cleaner and purer and can be seen as more the morning after. I like the rather subtle nature of this image and I think id rather it was even simpler than it was but still with detailed creases.


Duster

A duster cloth which I screwed up for some practise with material. Yellow is not a nice colour to paint with on black at it is hard to get its full saturation without it going green. I think this looks nice and almost abstract, the red stitching being the only thing hat really makes it recognisable.duster


If I Could Tell You

WH Auden’s poem ‘If I Could Tell You’ or ‘But I Cant’ is a poem which focuses on time. The message of nothing lasts forever. So for this painting as the poem uses vert little imagery, I combined many objects which have been used in still lives classically to symbolise the fleeting nature of time. First a skull a reminder of mortality and absolute still life classic. The bee is also apparently use symbolise the idea of temporality. The bubble ready to pop at any time. the decaying pear and sweet peas the flower of departure. the candle burning down is like a timer and its flame another fragile entity which can easily stop.but i cantThis picture was quite hard to visualise, trying to light it mainly from the central candle. Making it seem as though they were all on the same plane was tricky, trying to match up all the angles and distances. I think once again the painting isn’t great and could have been improved by doing it on a larger scale. the flowers are poorly formed and i would have liked to have had some real ones to use as reference.


White Angel

‘White Angel’ is a story by Michael Cunningham which tells the story of a young boy and his teenage brother. The eponymous monument in the graveyard behind their house is where many pivotal moments happen for for the boys, they keep whiskey and drop acid there. Frisco watches his older brother lose his virginity beneath it and it is also watching over the fatal ending. The angel is central to a lot of the story not actively but it is there and I can see why it was chosen for the title. The angel acts as a nice grounded constant to act as a background to some of the wilder actions of the older brother Carlton. What becomes quite a moving story at the end I feel would be hampered by an image of the more raucous activities.white angelI think the image is nice and serene but it could have been more refined. I think on reflection it would have been better to do it on a larger scale so that I could make it sharper and more detailed.


Nectarine and a Jug

A little bit of extra practice painting from life. A nectarine as, if I want to be doing still life paintings, I should probably get good at doing fruit. The Jug was to have a bit of practice with transparency. I think that the jug is a bit distorted but it does at least look shiny.


Bridge

‘Bridge’ by Matthew Dickman tells of a man contemplating suicide on a bridge, describing what he sees as he makes his decision. The burger, deliberately disgusting, is show being eaten by equally vile women. The contents of the burger are seemingly precariously about to fall out, paralleling the narrators intentions of falling to his death.bridgeThe painting is a bit sloppy on this image which i guess matches the subject, but i think a more accurate painting would show detail which would feel more revolting.


Considering the Bittersweet End of Susan Falls

‘Considering the Bittersweet End of Susan Falls’ by Adam Levin is a story following Susan Falls a 15 year old girl who is in a lesbian in college and a wheelchair. The box turtle in the image is her pet which represents her immobility. It is also part of her past which is gradually revealed as the story progresses, being part of the reason why she is in the wheelchair. susanfallsThe box turtle was fairly tricky to paint with the texture of the skin and and the highlights in relation to the upper light and the reflection of the floor. I think the shadow works well in creating some sense of space. the white I think gives the feel of a dead persons story as if in some heavenly place.
suanfalls2I thought the image would look better with more white space above to give the feeling of it being lower and more small and helpless.


The Gospel According to Mark

Borges’ short story ‘The Gospel According to Mark’ tells of a young medical student going out to stay with an uneducated farming family. While living with them he reads them the only book they care for – an old bible. As he helps them with his intelligence and modern advances they mistake his acts for miracles. During his stay there is heavy rain which causes leaks and a flood. As the family believe him to be jesus or a Jesus like figure they crucify him using spare wood from the roof repair.

This image could be seen as a bit of a spoiler for the end of the story but, Jesus references are very frequent so it just seems to parallel those. Only as the story progresses would the image of his crucifix take on a more foreboding and sinister tone. I quite like the image but the painting is a little rough and doesn’t feel exactly metallic. The second image is as though it is underwater, this has been done in relation to flood that happens. It also provides a more ominous feel of danger and and an impending doom. I don’t think the distortion is particularly effective as it was done without reference. I think by having what is an active distortion it loses its stillness and thus loses a realness and uncomfortableness.

The black and white image has subsequently been used for a zine produced by the Cardiff Illustration Society. We were asked to contribute images to be screen printed so I thought that this monochrome image would work nicely. The publication also had the theme of ‘facade’ and I thought that the distortion functioned as a kind of mask to the crucifix so that also worked out nicely.


Mr. Parker

Laurie Colwin’s short story ‘Mr. Parker’ is about an adolescent girl named Janie and her kindly neighbour and piano teacher, Mr. Parker. When his wife passes away, Janie’s mother becomes uncomfortable with Janie taking lessons alone at Mr. Parker’s house. The story explores the transition from childhood. mrparkerThe image combines the different elements described; biscuits, lemonade, a framed flower and a metronome. The arrangement is supposed to be situated on top of the piano, hence the music and the metronome. The doily adds to the sense of harmlessness of Mr. Parker, as the story doesn’t really portray him in a creepy way, it is all done really through the mothers paranoia. I don’t feel any of the objects in the painting have a real sense of solidity, the edges aren’t sharp and the colours are a bit wishy-washy.


The Lottery

‘The Lottery’ by Shirley Jackson tells of a town where a lottery of folded papers is done. The one with the black spot means that the person is to be stoned. In my image I have placed a stone over the centre where the spot would be, replacing the black mark for a dark stone.
the lotteryI dont think that this image works all that well, its a bit bright for what is quite a sinister story. The effect of paper is also not very effective and doesn’t look as though its in a relationship with the stone, more angular shading indicating creases would probably worked better.