The King in Yellow – The Demoiselle d’Ys

tkiy-dysThis story features a man walking on the french moors, lost until he is found by a woman and her helpers. They take him back to the castle where the man and woman become infatuated with each other, it turns out she’s from the past and he is returned to the present. The image I’ve used for this story is of the hare which is caught at the start of the story by a falcon. It gives across the feeling of threat and has a rather medieval subject matter. This picture had a lot hard things to paint in; the close up grass, the fur, the feathers and the textured bird skin. The darkness of this image does give a strong sense of atmosphere.


The King in Yellow- The Mask

tkiy-maskThis story is about a marble sculptor who invents a liquid that turn anything to marble. In the story he uses it on a gold fish and a flower before using it on people. These two objects take on the symbolism of the two characters. The picture is set on the sculptors desk with hints at cloth, tools and rubble. The challenge was making it look like the objects were made of marble without being able to use the obvious colour change. So the only real method was to make them look stiff and shiny. I quite like the triangular composition of this image, it feels more like a classical still life.


The King in Yellow – The Yellow Sign

tkiy-ysAt the beginning of the story the protagonist, an artist ruins his painting. The paint runs and bleeds to a muddy mess, this is what I have attempted to portray in this painting. I’m not sure if it is clear that at the foreground is a canvas with a painting on. The background, the curtain and window seem quite lazily painted and a little crude, but the lack of detail does mean that your eye is drawn more to the detailed tuned painting. I have tried my best to remove any recognisable features from the panted figure as I felt a face would be a bit distracting.


The King in Yellow – In the Court of the Dragon

tkiy-itcotdIn this story the narrator leaves a church because he is scared of the organist. He runs though Paris in fear that he is being followed, in doing so he passes the place de la concorde. The fountain there is featured in the image, using the figures in place of the characters. The statue is looking over his shoulder in a paranoid manner (well at least it can be seen that way), with the dark imposing figure behind. I have changed around the composition of the fountain so that these two figures line up in this manner. As with all of the images in this series a heavily yellow colour scheme has been used to show the creeping influence of eponymous play. The figures and forms have not been done that well and I would have preferred for the background figures to have been darker and more mysterious.


The King in Yellow – The Repairer of Reputations

tkiy-repThis story centres around a character with a warped perception of he world and is therefore an unreliable narrator. Subway stations are seen as death booths and in his safe is a crown of gold and emblazoned with diamonds which in fact is copper and paste. The crowns design is inspired by art nouveau jewellery. It is at a midpoint of grandiosity, as it is meant to be extremely precious to him but it is described as a diadem for him to be a prince. The dark background makes the the crown stand out more and creates an ambiguous backdrop consistent with the mind of the narrator. The scanned in image shows up the brush marks more than in real life, which I’m not overly keen on as it makes the background less dreamlike.


The King in Yellow – cover

tkiy-coverTo create a cover for this collection of stories I wanted to stay away from anything directly from one of the stories. I also didn’t want to show the king in yellow. So I decided on a material look with the text ‘stitched’ on as this ragged effect would match his robes. For the font I wanted to use art nouveau inspired lettering, as the book was written as part of the decadent movement which was closely associated with art nouveau. I’m not sure that the text looks as though it is attached to the material, it seems to float above. The text is quite subtle which means that it takes slightly longer for it to reveal itself to the viewer.


A Sound of Thunder – Ray Bradbury

thunder sBradbury’s short story centres on a man who pays a time travelling hunting company to go back and kill a t-rex. In order not to alter the present/future they must not alter anything in the past and only kill dinosaurs that are just about to die. To avoid tampering with the world they walk on a floating walkway above the jungle floor which is shown here in my image. I find the White path contrasts nicely with the jungle, although maybe it could have been smoother to exaggerate this. The arcing path evocative of the idea of time travel, looping back and forth. The unseen destination is representative of the unknown present/future that they return to, but this may have worked better if the picture was flipped so the path went back then forwards. I have scratched into the picture to create the texture of the ferns, which I think was a much easier way of doing it.


There Will Come Soft Rains – Ray Bradbury

hort sIn the story a futuristic house goes about its daily routine; making breakfast, hoovering, ect. The people are long gone, so it is just this house functioning for no real reason. A fire starts in the house and it starts to burn down. In the text it mentioned a Picasso burning, at the time of painting this I was still writing my dissertation on Cubism. I thought to use Picasso’s study of Horta, which features buildings as the subject, which look like futuristic geometric structures.

There were a few problems with paining this, the first being copying the original painting while also imposing the alteration in colour that being next to a large fire would cause. Painting flames also proved to be quite tricky, they don’t look very effective. what to do beneath the line of flames was a bit of a conundrum, I kept it simple and made a subtle allusion to the frame of the canvas. I think the white marks to show the sweating and warping paint are quite effective, the smoke marks running upwards also look ok. I think the original painting does get a bit lost with half of it missing and other elements laid on top.


Harrison Bergeron – Kurt Vonnegut

bergeronThe story is set in a world where all are made to be equal, those who grow tall wear weights, the beautiful wear masks and the intelligent wear boxes on their ears that emit sharp noises to stop them from completing thoughts. Harrison Bergeron is a godlike man who out grows all of his restraints, he takes a rebellious ballerina as his queen before he is swiftly shot.

When doing this painting I wanted to try paining on different coloured backgrounds, I think the image overall is a bit too multicoloured. I have tried to make the contraption quite crude as that is how they come across in the story.


Super-Toys Last All Summer Long – Brian Aldiss

supertoys sThe story focuses on the relationship between a woman and her robot ‘son’, which she is unable to love. The robot – David, on the other hand loves her very much and continually seeks her affection. another robot named Teddy also lives in the house and is David’s friend/toy, the mother is able to connect more with Teddy. The story ends with the news that the husband and wife have been given permission to have a child naturally, they decide to send David back to the factory and to keep Teddy.

I have tried to make the image have a cold and sterile edge, to reflect the emotions of the mother, while showing the seemingly cuddly Teddy. To achieve this I have used white and green to contrast with the warm coloured fur, I have also tried to make the eyes as dead and emotionless as possible. I chose Teddy as the image as he/it is a seemingly cute loving thing, much like David. The straight on pose is robotic and causes him to stare out straight at the viewer lifelessly.


A Clockwork Orange – Chapter 3

bulbIn the first part of chapter 3 Alex is released back into the world, the first place he goes is to a café. The place is rather dirty and he points out the grubby light bulb. This seemed like a nice image as it shows something that should be light and shiny but it is actually grubby. The wire is a bit wonky but this isn’t too bad as cables of this sort can be quite stiff.milkFollowing that Alex goes to his milk bar, but having gone through his conditioning it doesn’t go down to well. The bar has a red cow wallpaper which I have used to give an intimidating feel, the cow heads also give surreal element. I think this goes well with his bad drug experience. The painting in this is a bit unfinished, it doesn’t matter too much as they aren’t actual cows, they are just wallpaper. I quite like the contrast between the black and red with the white milk.helmetFollowing a fight in library with the old man he assaulted in the opening section he is taken away by the police. The police men are his former associates who he wronged, they take him to the countryside where they beat him, before doing so they take off their hats and jackets. We see their garments as out of the frame of the picture the violence takes place. The setting sun gives a sense of atmosphere but I’m not sure its painted that convincingly. Actually I’m not sure if any of the elements are that well painted, they don’t really go that well together.

tapAlex then staggers to the nearest house which turns out to be the house of the writer whose wife he raped. At this point it seems Alex has reached somewhere safe but danger is just round the corner. We are given a rather relaxing view of the bath but I think the colours I’ve used give some sense of unease or at least don’t make it look to luxurious. I mad the taps up so they don’t look too convincing but i do quite like the tiles.
leafletAfter discovering Alex’s identity, he is locked in a room and tortured with the music he once loved. While there he sees a leaflet on a table which says what the painting above says. Intended as a message of self improvement, Alex takes it literally and jumps out the window to escape his torturous captivity. Trying To paint the lettering was a bit of a pain and it made it hard to get a consistent surrounding colour. Getting the paper to look slightly three dimensional and real wasn’t too easy, I probably should have got a piece of paper and given it a bit of wear to use as reference. 
castThe jumping out the window leads to Alex ending up in hospital, covered in bandages, casts and splints. I have just shown the hand to keep the image simpler, it also has the splints from the fingers which look a bit dystopian. Originally the strap was more brown but I darkened it a lot so it looked more industrial and a bit cleaner. Again here I have had to resort to showing the character, but I have kept it a minimum so as not to ruin the image of the main character the reader has built up over the course of the novel. The metal bar is a bit wobbly and the fingers are a bit indistinct but I think the composition is quite nice.teaIn the last section Alex has been cured of his conditioning and is no longer made to feel sick at the thought of violence. But having gone through it all he comes to realise that he doesn’t want his old life back. He goes to a nice café and has a cup of tea, while there he meets his old friend George who has moved on to a normal life. The image is gentle and calm to fit with the happy ending of the story. I would have preferred to have had flatter colours so that it looked cleaner.

Of the 21 images I have done for A Clockwork Orange not all of them have been successful, I think I shall edit them down to a more selective group. I should probably also do a cover for book to complete the set.


A Clockwork Orange – Chapter 2

matchboxIn this image we are introduced to Alex’s time in prison, the making of matchboxes being part of tasks that he is forced to endure. The stack of matchboxes look rather imposing drawn from this perspective, this gives the feel of Alex being overwhelmed by the situation. My favourite part of this picture is the colour palette as they all seem to work together. I would have liked the colours to have been flatter and the edges to have cleaner. I’m not sure if it is immediately clear that the picture is of matchboxes as they don’t have any design on it, but I quite like the almost abstract nature and I think with text it would become clear.cupNext we are in Alex’s shared cell at night, lit by a small red light. The tin mug is one of the only objects mentioned in the section and is also the weapon by which the new addition to the cell is murdered. I think the colour of this image works well to create a feeling of danger, violence and threat. I found painting the mug quite enjoyable, trying to make the reflection seem realistic. The simple colour scheme also let me concentrate more on the painting and composition. dressing gownIn this section we are first taken to the establishment where Alex is subjected to conditioning. Trying to show the new clinical area he has entered I have made the palette quite light and clean. I don’t like this image as it doesn’t seem to do anything, the dressing gown and slippers don’t really look like anything. All perspective is gone and there doesn’t seem to be an overall composition. The light and cabinet don’t also seem to be in proportion to the green clothing.chairIn this section we are shown the place where Alex undergoes his extreme reformation. The scene is described in quite a lot of detail so the details to include were fairly obvious, but I didn’t want it to look too similar to the film as this scene has become quite iconic. I’m quite pleased with this illustration, its triangular composition leads the eye nicely and the palette is nice and simple. I would have preferred the headpiece and the wires to be more detailed and the dials to be more defined. I think this cold and industrial image fits in very well with the theme of the novel.bars.In this next section Alex sees the bars on the window, realising that his current situation is no better than prison. The darkness helps to create a sense of doom as does the image of prison bars. The image is a little simple and maybe the composition could have been changed up a little.wiresHere we are once again shown the chair, there was very little else mentioned in this section. I have shown it from a different angle so that it is not the same as the previous chair image. We are also shown a partial view of the screen, which as on it horrific images which are described at length in this section. To have shown the horrific image would have ruined the effect as they wouldn’t have looked as borrowing as the images the words conjure in your mind. I’m not particularly keen on the fact that this image contains a person but I have shown as little as possible.lightIn this scene Alex is paraded on stage to show the effectiveness of the treatment, being confronted with a violent men and a sensual lady, both of which cause him to feel physically sick. The image is of the stage light shining into his face and puts you in the place of Alex as he is being watched. I’m not a fan of how it is slightly off centre and also the blue colour doesn’t seem right.


A Clockwork Orange – Chapter 1

I decided that I would like to illustrate Anthony Burgess’ novella A Clockwork Orange, due to its theme and its length. It was a length that I could read it all in a relatively short space of time and its structure of three chapters each split into seven sections, seemed to allow for a nice amount of illustrations. I chose to do one a4 image for each section, trying to remove humans as much as possible, keeping them to just still lives.booksThis image is for the opening section in which Alex indulges in ultraviolence. The image shows the mess left behind by the gang after their encounter with a man carrying books. On the floor are the multiple items they destroy; coins, books, dentures, an umbrella, a pen and a sleeve. The image is in a yellowy glow as if under a streetlight but I’m not sure if this comes across too strongly. I quite like the angular composition of the image but I think the painting lets it down a bit. The objects don’t feel particularly solid and he pages look chunky. I think some elements aren’t immediately recognisable but hopefully being presented alongside the text would help to make clear what is being shown. Ive aimed to show the still moments around the more active and violent events of the story.

typewriterThe second section of the story sees Alex and his droogs visit a man and his wife in the countryside for an aggressive home invasion. While there they smash up his typewriter, steal his food, dash his papers around the room and rape his wife. The smashed type writer is the focal point of the image and adds a darkness and a more dynamic shape. Its mechanical nature is also in keeping with the theme of the book and its title. The flask of the chicken leg and the red of the plum cake add a more raw and animalistic feel which adds to the mood of the scene. I enjoy the creating the feeling that you are looking at this moment of uneasy stillness while behind you or just out of frame is something horrific.hi-fiAfter his night of violence Alex returns home and sits on his bed and listens to his classical music as he goes to sleep and dreams of further violent acts with glee. Here I have presented his music system with one of his school banners which adorns his wall. A problem with this was the point of technology, published in 1962, music would have been on records, the film made in 1971 the same. He also mentions a sleeve, but by close reading you can find that the book is set in a dystopian 1995 roughly. For this reason I have updated the hi-fi so that it fits more into a 90s era room, while retaining his records. I was advised by one of my tutors to use less brown so I changed the speaker from wood to a grey, this gives a more industrial feel and ties in closer with other images in the collection. The record on the floor was added to give some sense of space and perspective and I think works well to break up the image from being overly blocky. I think I could have invoked more of the feeling of the music but I think that the stillness and quietness allow the reader to inflect their own thoughts through the music.bedI’m not particularly keen on this image, shapes are indefinite, the colours are unpleasant and the writing on the record is lazy. This illustration takes place slightly after Alex has had intoxicated sex with two very young girls. The glasses and clothes litter the floor, but I think they could have looked a lot more interesting. The colours are quite light and happy this is to reflect more the mood of Alex rather than of an outside onlooker, as Alex sees no harm in what he is doing and goes about it blissfully. Beethoven’s face stares out from the record with a frown of disapproval, the emotions tied up with the booming music of Beethoven are then projected onto the image. I think the image should have been more messy perhaps to give more of a sense of something bad having happened.industryThe fifth part was fairly empty in terms of things for me to illustrate. mentioned though is the mural which is described in more detail earlier in the book. This is a mural of of men and women working hard at the wheel of industry in the nude, which has been crudely vandalised by the teenagers of the area. The angle of the image seems to give more importance to the figures as well as giving a greater sense of scale, which makes it even more undercut by the graffiti. I think that the bodies look pretty distorted, i.e. the leg on the right is very long. the faces while i didn’t want them overly distinct look probably too vague. The words used are in Nadsat, the language used by Alex, most are cut off so as not to distract from the main body of the text. The central speech bubble is translated as ‘grab my breasts’ which I felt was juvenile and and translated nicely into the limited vocabulary of Nadsat. The missing top corner places this as a painting of a painting showing a small part of where its situated, as does the little bit of reflection at the top of the painting but that is not entirely recognisable as not part of the painting.beet In this section Alex breaks into the house of a spinster to and murders her accidentally. Her house is old and filled with antique ornaments including a Beethoven bust and a ballerina statue (which is used as the murder weapon). I find the composition here to be a little dull and the painting to be rather patchy. The ballerina statue is not the right shape and doesn’t look metallic. Again we have Beethoven, this time more centrally as though staring angrily directly at Alex as he does the terrible act. mirror

In the final part of the first chapter Alex is taken to the police station, here he is presented with a mirror to clean up his injured face. I like the idea of this picture with the angled mirror so it is from the view of the character but you are unable to see his reflection. The washed out colours add to the clinical feel of this cell. My main problem with the image is that the shapes are off, the bases off centre and the part that holds the mirror is unsymmetrical. While this may look as though it is an old police mirror thats been damaged over time I would have preferred it to look more sleek and perfect. The palette of the picture also feels a little random and they don’t really go together, I think a more monochrome version would be better.


Molly Bloom’s Soliloquy

The final Chapter of James Joyce’s ‘Ulysses’ is Molly Blooms soliloquy, an almost unpunctuated stream of consciousness. As she lies in bed she thinks of her life and what is going on in then back to her first sexual experience with her husband. For this I chose to paint the bed as it is a constant setting for the story and it also coincides nicely with the sexual nature of the story.bloomThe image is probably too light for what is set at night as she goes to sleep, but by lightening it it makes it cleaner and purer and can be seen as more the morning after. I like the rather subtle nature of this image and I think id rather it was even simpler than it was but still with detailed creases.


White Angel

‘White Angel’ is a story by Michael Cunningham which tells the story of a young boy and his teenage brother. The eponymous monument in the graveyard behind their house is where many pivotal moments happen for for the boys, they keep whiskey and drop acid there. Frisco watches his older brother lose his virginity beneath it and it is also watching over the fatal ending. The angel is central to a lot of the story not actively but it is there and I can see why it was chosen for the title. The angel acts as a nice grounded constant to act as a background to some of the wilder actions of the older brother Carlton. What becomes quite a moving story at the end I feel would be hampered by an image of the more raucous activities.white angelI think the image is nice and serene but it could have been more refined. I think on reflection it would have been better to do it on a larger scale so that I could make it sharper and more detailed.


The Body

‘The Body’ by Stephen King is story of four boys who go on a trip to see a rumoured dead body in the woods. My image is of the body but only part of it so as not to be too gruesome. As the book is about the discovery of a body it would be foolish to present the whole body.

The hand was drawn from from life from my own hand and I’m fairly pleased with it as it looks pretty realistic (even if some of the fingers are a bit off). The background is probably a bit simple and isn’t doesn’t really look like soil. In photoshop I have subdued the colours and i think it works better with what is on the whole a more sombre tale and for a dead body which is less colourful.


The Gospel According to Mark

Borges’ short story ‘The Gospel According to Mark’ tells of a young medical student going out to stay with an uneducated farming family. While living with them he reads them the only book they care for – an old bible. As he helps them with his intelligence and modern advances they mistake his acts for miracles. During his stay there is heavy rain which causes leaks and a flood. As the family believe him to be jesus or a Jesus like figure they crucify him using spare wood from the roof repair.

This image could be seen as a bit of a spoiler for the end of the story but, Jesus references are very frequent so it just seems to parallel those. Only as the story progresses would the image of his crucifix take on a more foreboding and sinister tone. I quite like the image but the painting is a little rough and doesn’t feel exactly metallic. The second image is as though it is underwater, this has been done in relation to flood that happens. It also provides a more ominous feel of danger and and an impending doom. I don’t think the distortion is particularly effective as it was done without reference. I think by having what is an active distortion it loses its stillness and thus loses a realness and uncomfortableness.

The black and white image has subsequently been used for a zine produced by the Cardiff Illustration Society. We were asked to contribute images to be screen printed so I thought that this monochrome image would work nicely. The publication also had the theme of ‘facade’ and I thought that the distortion functioned as a kind of mask to the crucifix so that also worked out nicely.


Mr. Parker

Laurie Colwin’s short story ‘Mr. Parker’ is about an adolescent girl named Janie and her kindly neighbour and piano teacher, Mr. Parker. When his wife passes away, Janie’s mother becomes uncomfortable with Janie taking lessons alone at Mr. Parker’s house. The story explores the transition from childhood. mrparkerThe image combines the different elements described; biscuits, lemonade, a framed flower and a metronome. The arrangement is supposed to be situated on top of the piano, hence the music and the metronome. The doily adds to the sense of harmlessness of Mr. Parker, as the story doesn’t really portray him in a creepy way, it is all done really through the mothers paranoia. I don’t feel any of the objects in the painting have a real sense of solidity, the edges aren’t sharp and the colours are a bit wishy-washy.


The Lottery

‘The Lottery’ by Shirley Jackson tells of a town where a lottery of folded papers is done. The one with the black spot means that the person is to be stoned. In my image I have placed a stone over the centre where the spot would be, replacing the black mark for a dark stone.
the lotteryI dont think that this image works all that well, its a bit bright for what is quite a sinister story. The effect of paper is also not very effective and doesn’t look as though its in a relationship with the stone, more angular shading indicating creases would probably worked better.


Heart of Darkness

The Folio Society issued a competition to illustrate the book Heart of Darkness by Joseph Conrad. The breif was to do three portrait full page images as well as an idea for the cover (if you win you would have to do six more pictures). The class sat and listened to the story while making notes and coming up with ideas. While doing this I thought that I that I didn’t really want to do like heads on sticks, Kurtz saying ‘the horror the horror’ or a paddle boat steamer. I then thought that I didnt really want to show the characters of the story as when your reading the book you picture them in your mind, if you then see a picture of the character then they probably wont look like you want them too. So I decided that I would do still lifes of the objects in the scenes.

The first one I thought about was set in the doctors office near the start of the book, where it talks about measuring Marlows head. Using this idea I researched objects associated with phrenology that would have existed in the period the book is set. I tried to use images with sinister undertones like the skull and the head measuring equipment. I also wanted this image to be quite light as i wanted them to get darker as they progress through the book.

The second image was of a pair of boots with blood on them from the scene where Marlow takes off his boots because a man has bled on them. I placed the shoes centrally with one leaning on the other to make the image more interesting. I tried to make the background both dark and misty. I dont think that the blood on the shoes works very well as it looks a bit tacked on. It looks to bright I should have made it much much darker, with less ridiculous highlights (they loo a bit like clown shoes). I don’t think the floor works too well in terms of perspective with the angle of the shoes. I am pleased with the laces of the shoes as they were a pain to figure out, especially on the leaning shoe.

The next image was of a lump of hippo meat with dough wrapped in leaves, not a major plot point but I liked the imagery. I set it in the dark interior of the ship with a window to the jungle outside. I made the meat the focal point with its red rotting flesh creating a disgusting and savage feel.

Going to the crit with these three I was told that they liked the use of the still life style as it was of the period and fitted well with the masculine exploration. But they too also disliked the boot picture. So I needed to make something new to take its place.

So I decided to go with the scene where Marlow sees the painting Kurtz has done. The candle in the champagne bottle was described in the text so I used that as the main light source of the picture. Kurtz painting is also described to have a torch in, so combining the real light source with the ‘fake’ light source in the painting was tricky. Also included are a glss of wine and a pair of ivory binoculars. I like the clustered composition and the use of light in this image.

For the cover Folio Society books usually have a more simplified use of colour. I decided to use the meat for my cover as it evokes the feel of the book. It could be reduced to just three colours; red for the meat, white for fat and black for the flies.