Donetsk Airport

glass Using imagery from the Donetsk airport where there was intense fighting I have experimented with range. The first image is of smashed glass stained with blood. I’m not sure that the texture f the sharp glass fragment has been properly realised. The second is zoomed out much more to an aerial view of the airfield after heavy shelling. The difference in the viewpoint of these two images creates an element of abstraction as they are removed from our everyday view. I think that the painting could have been a little stronger as this looks to be a bit rushed. airportThe third image is of the destroyed tower at the centre and provides a mid level viewpoint. I quite like the elongated shape of this painting but again I think it could have used more detail.tower


Lemon Peel

lemonpeel

Doing some research into classic still lives and their motifs, I found that a peeled fruit such as a lemon was common and symbolised the deception of outward appearances (because lemons look nice but taste bad). The inner flesh meant to be sexual as is the unveiling of it. It was also a good way for the artists to show their skill as it combines different textures and transparencies, it also provided me with these challenges. I placed it in an artificial space as the lemon reflected the surface on itself so I felt I needed to include a surrounding to be true to by observation. Keeping a black background makes the yellow really stand out. It does look a bit fuzzy though, with more the skin of a peach than a waxed lemon. It also looks a bit odd as I found it quite hard to peel a lemon in an attractive way.


Painting Practice (start of third year)

This is the first post of the year (academic, not calendar) and of the new project. The project is very loose in what it asks for and it basically asks you to do what you want to do. What I intend to do is explore using still life as a means of illustration. So to start with I thought I would practice my painting of objects using oil paint.

key

I started by painting objects I found around the house on a black background so I was just just focusing on the object. I found painting on black also gives more solidity objects there is no white to show through. This grubby key should have had much more effort put into making sharp edges, the grime also looks more like an attempt at relief than at discolouration.

bulbNext a lightbulb, I wanted the challenge of painting the glass, which was pretty difficult as the lightbulb wasn’t on a black background. Overall I feel the the painting is a tad crude and I would have preferred it more refined.brushI quite like this one, it looks a lot like the real object (you will have to take my word for it) and I like the effect of the bristles as even though it is quite minimal it still gives the illusion of texture. The rounded edge of the handle also looks nice and gives the feel of depth.toycarThis toy car provided the challenge of very small and thin highlights as well as making sure that it didn’t look too much like a real car. The colour is a bit boring but that was the colour that the toy was it looks a little fuzzy too for something meant to be so artificial and smooth.


TED Talk – Biomimicry


For this project we were told to illustrate a science based TED talk with at least ten images. I chose to do Janine Benyus’ talk ‘Biomimicry’s surprising lessons from nature’s engineers’ as I found it interesting and found it rich with imagery. the talk consists of many examples where by we could use biological knowledge to aid us, so I illustrated a few of the examples.
The first picture I did was of a bat and a submarine, this wasn’t an example from her talk but I wanted an image for the introduction. The coupling talks of echolocation/sonar a rather well known example which I thought would work well to introduce the idea. I used a toy submarine as it made the two a similar size so they could be easily incorporated, I used the bell jar and the stuffed bat to create a stillness and also make it more interesting. I had to make the back ground black so that the jar is visible. The hard copy of the image was a bit off centre but that has been corrected digitally.
The next image taken from her story about limescale building up in pipes and how looking at the proteins secreted by shells has helped to stop this. I put the shell in the scaled pipe almost as though the shell has formed in the pipe and is blocking it. Initially the image was too washed out so I turned up the contrast, creating a stronger sense of light and made the inner shell more colourful.


The image of a nautilus and pots illustrates the ideas of self assembling ceramics at low temperatures in the same way that a shell is created. I chose to use a nautilus as it has a shell and also looks interesting, I wanted it to look as if the pots were in his tank. I like the colouring I’ve achieved with the cephalopod adding the blue tinge to the brownish shell.
The next had to incorporate the fin of a humpback and a plane wing. Trying to put these together in a coherent image was tricky, so I used perspective to create a comparable size. Trying to bring attention to the tubercles on the fin I gave them highlights.


Staying with shape theme I looked at creating colour with shape by thin film interference. I used two examples which use this so as to clearly demonstrate what i’m talking about. This iridescence was not easy to paint especially the bubble, again I needed the black background to show it up. I quite like the layout of this image as well as the sheen it has.
The bag of mussels is about the threads which attach them to the rocks which degrade after two years, the idea being if you made plastics in the same way to stop a build up of waste. I would have liked to have had more referencing for the bag as it is entirely made up and I don’t think it feels as though it has the mussels in it.


This image of peanuts and peanuts is illustrating making plastics from carbon dioxide in a way similar to plants. Originally I was going to do a plastic tree/fruit next to a real one, but this  was very hard to do as they just looked like the same thing. I think this pun works better as they don’t look the same as each other and the polystyrene is clearly plastic.
The cone covered in locusts is a little bit undetailed so I probably should have done it a bit larger (probably true with all the pieces). It is indicating the fact that locusts don’t come into contact while flying in close quarters but people are always having car crashes. The cone brings to mind the idea of car accidents without having to use a car, which if it had to be drawn the locust would be much smaller and harder to paint.
The two crops show the difference between regular crops and perennial crops, this image was quite dull so I added wild prairie flowers scattered across them. The plants could have had more detail and a stronger sense of light.


The water bottle covered in Namibian beetles is about how they are able to collect water from fog. The empty bottle with the lid off gives a sense of dryness which fits with these desert animals. I like the semitransparent nature of the bottle with its blue tinge, the bug on the other side of the bottle gives it more of a solid three dimensional feel.
The spider and the material speaks of how spiders are able to make strong threads at low temperatures using limited elements. I decided to use yellow material to liven up the image and to contrast with the black and white. Making the web thin was tricky and I think the material could have looked more glossy and smooth.


Locust Bombings

Using the ideas of the madcap ‘gadgets’ from the comic adverts and the wartime planes, I started thinking about the more ludicrous schemes used in the war. With a bit of research I found many such stories including; spy cats with implanted microphones, bat-bombs, pigeon guided bombs and dogs with bombs on them trained to run under tanks.

I then tried to think of an operation in the same vein, I wanted a feasible but still unbelievable story. The best idea I had was for a bomb filled with locusts used to destroy crops. This idea seemed both outlandish and believable and i could think of various images to go with it.

I wanted the work to be displayed in a way similar to a museum, presenting the work as though they were artefacts from the time. The first thing I wanted to do was to make a pin-up to be placed on the side of the plane. I did this on a metal sheet as if it was on a plane, this required me to use acrylic so as oil wasn’t sticking. I placed the woman on a giant locust to incorporate the idea of the bomb. Adding the words ‘Hop to it!’ made the image much more complete as it filled in the empty space and also provided a nice pun in-keeping with the pin-up style.

Next I made a military patch which was meant to be used by the men involved in the mission. I took inspiration from a WWII bomber badge, but replaced the bomb with a locust. The stitch was a bit rushed and imprecise but I think its imperfections add to feel of its authenticity and age.

Next I made faux-photos to tie the story together more. I did some historical research to find out what kind of planes, clothes and bombs they had. The first picture was a preflight photo of the bombers, in the background you can see very small on the plane, the pinup I painted earlier. The next was of a field plagued with locust with a german barn in the background, showing the effects of the bomb. Then one with men in beekeeper suits to filling bombs with locusts and using smoke to calm them. The last ‘photo’ I drew was of the bombs being loaded into the plain to tie together the other elements, the patch has also been sneaked in.

To add more credibility to the lie I thought I’d add some evidence from the other side of the war. So I made a Nazi propaganda poster against the locusts, trying to maintain the aesthetics and attitude of the posters of the time. It roughly translates as we must destroy/wipe out the insects (the word for locusts was too long).

To present the work I wanted to present it like a museum but this would have been hard. So instead I got some clip frames, to give the feel of it being preserved behind glass.

At the crit it was said that the project felt like it was in two parts, that the drawings and the other parts felt separate. The ‘photos’ didn’t work as evidence as they dont look like photos but just drawings, it was said that they would work better as just a sequence of images. The frames were criticised for looking  bit ‘ikea’ and didn’t work. It was also said that the work could have been a bit darker, looking more at the sadder side of war. I had made the work quite light as most of the the things I had looked at for referencing were quite light, with pilots standing around smoking and joking. To conclude it seemed that the drawings need to be fleshed out and the other stuff needs to be discarded.

I’m quite pleased with this work as it fits the brief well of making a fantastical story based in fact, like a hoax. I also haven’t just done a series of images like normal, they are presented in no particular order but more just a collection of evidence in support of a story.